Exploring Stereotypes: An Examination of Social and Cultural Stereotypes through Discourse in Films with Case Study of “Zindagi Tamasha”
DOI:
https://doi.org/10.63062/trt/WR25.066Keywords:
Pakistani Cinema, Zindagi Tamasha,, Film Analysis, Stereotypes, Cultural Representation, Societal Norms, GenderAbstract
Stereotypes are prevalent and entrenched societal attitudes that emerge in various forms. Over the years, films have significantly contributed to the portrayal and reinforcement of these biases. This study examines, via comprehensive cinematic analysis, the depiction of many stereotypes in the Pakistani film "Zindagi Tamasha". This study uses concepts from cultural studies to examine how the film challenges conventional beliefs, engages with societal norms, and initiates discourse on Pakistani culture. The study employs an interdisciplinary approach, recognizing that various facets of our identity—such as gender, religion, and financial status—shape our beliefs. Thoroughly analyzing the narrative, language, imagery, and character development the researcher facilitates the assessment of the picture and its societal significance. Two primary ethical concerns are: adherence to regulations about appropriate usage and the acknowledgment of diverse cultural backgrounds. The study seeks to elucidate how "Zindagi Tamasha" contests prevailing notions, so contributing to the continuing discourse on cultural representation in Pakistani cinema. This study examines the portrayal of multiple stereotypes in the Pakistani film "Zindagi Tamasha" through a wide-ranging cinematic analysis, utilizing Teun A. van Dijk's theoretical framework on discourse and social representation. By applying impressions from cultural studies, the research explores how the film challenges conventional beliefs, engages with societal norms, and initiates discourse on Pakistani culture. Rahat's distinctive movement, particularly his dancing, directs our attention to the influence of language and discourse on our comprehension of moral concepts.
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